Helen Kane


Helen Kane

Helen Kane
Helen Kane - The Original Boop Boop a Doop Girl28:53

Helen Kane - The Original Boop Boop a Doop Girl


Helen Kane

Helen Kane was an actress and singer who became popular in the 1920s. In May 1932, Kane filed a $250,000 Infringement Lawsuit against Max Fleischer and Paramount Publix Corporation for the "deliberate caricature" that produced "unfair competition". While Kane had risen to fame in the late 1920s as "The Boop-Boop-a-Doop Girl", a star of stage, recordings and films for Paramount, her career was nearing its end by 1931, with her last Paramount feature being A Lesson In Love. Paramount promoted the development of Betty Boop following Kane's decline. The case was brought in New York in 1934. Although Kane's claims seemed to be valid on the surface, it was proven that her appearance was not unique as both Kane and the Betty Boop character bore resemblance to Paramount top-star Clara Bow. On April 19, Fleischer testified that Betty Boop was purely a product of the imaginations of himself and detailed by members of his staff. Little Ann Little, Bonnie Poe, Kate Wright, Margie Hines, and most notably Mae Questel were all summoned to testify. The case dragged on for more than two years before the judge ruled against Kane, claiming her testimony did not prove that her singing style was unique and not an imitation itself; Kane was asked if she had taken her "scat" lyrics idea from Felix Mayol's 1913 recording "Bou Dou Ba Boum", which she denied. Another witness claimed that Edith Griffith had "Booped" before Kane in a early recording: a little-known African-American singer known as "Baby Esther" was cited by the defense as "Booping" in song, with Kane having seen Esther's cabaret show in the 1920s and swiping her act, becoming popular overnight. This was what the defense explained when they showed an early test sound film featuring Baby Esther. Helen Kane later told the press that she was shocked and disappointed, remarking that both she and her friends were convinced that the Betty Boop cartoons were a deliberate caricature of her.

Paramount Helen Kane Look & Sound-alike Contests

Imitation contest

Helen Kane sponsored imitation contests with Paramount. In some of the earlier contests, each of the voices of Betty Boop won first place. Margie Hines won first place held in a local cinema cathedral in Freeport, and was later seen by a Fleischer Studios staff member, who thought she was perfect for the role as Betty Boop.  

Mae Questella 1929 He's So Unusual

Most prominently Mae Questel, who had also entered a contest, won first place at the RKO Fordham Theatre. There she received an autograph from Helen Kane which read "To Another Me" (To Another Helen Kane), and won a prize of $100. Mae would often substitute for Helen Kane, in the 1920s she was originally dubbed one of the greatest Helen Kane impersonators. Mae was later seen by Max Fleischer, who asked her to sign a contract to do the voice for his cartoon character Betty Boop. Several of the other voices of Betty also started out impersonating Kane and several others entered contests, winning first place. According to Jo Miller's granddaughter, her grandmother entered one of the contests to do the voice for Betty Boop but came second. The Helen Kane contests ran from 1928 to 1938.  The age range to enter was 6-18.

$250,000 Lawsuit

The Original Boop Boopa Doop Girl

"Plantiff originates and still uses a method of singing songs consisting of the interpolation at frequent intervals of the sounds Boop-Boop-a-Doop, or Boop-Boopa-Doop or Boop-Boop-Pa-Do or Boopa-Doop or simply Boop alone."

In 1932 Helen Kane launched a three way lawsuit against the Fleischer Studios & the Paramount-Publix Corporation claiming that they had stolen her style.

Bizzy bee 2

Films featuring Kane used in court as evidence were Pointed Heels (1929) - Dizzy Dishes (1930), Nothing But the Truth (1929) - Boop-Oop-a-Doop (1932), Dangerous Nan McGrew (1930)  - The Bum Bandit - (1931) parallel to that of the Betty Boop films. $250,000 Infringement Lawsuit for more details.

Helen Kane Comic Strip

Helen Kane In Cartoon Form

Helen Kane depicted in cartoon form.

Cartoon Helen Kane by Bernard Schmittke

Another cartoon caricature of Kane by Bernard Schmittke.

In 1933, when Helen Kane learned that Betty Boop was going to star in a comic strip, she contacted King Features. See Betty Boop Comic Strip (1934-1937) for more details.

Helen Kane & Max Fleischer

According to Leslie Cabarga (who had met Mae Questel in person), Helen Kane went to Max Fleischer and said: If you use me in the cartoons instead of the other girl (Questel) I'll drop the suit.  Fleischer, who knew Mae Questel, said "I won't use anyone but my Mae".

Helen Kane (Information)

Kane's height (only 5 feet tall) and slightly plump figure attracted attention and fans. Her round face with big brown eyes was topped by black, curly hair; her voice was a baby squeak with a distinct Bronx dialect. Oscar Hammerstein's 1928 show Good Boy was where she first introduced the hit "I Wanna Be Loved By You". In 1930, Grim Natwick introduced a caricature of Helen Kane, with droopy dog ears and a squeaky singing voice, in the cartoon Dizzy Dishes. "Betty Boop", as the character was later dubbed, soon became popular and the star of her own series. In 1932, Betty was changed into a human, with the long dog ears becoming hoop earrings.

Using Betty Boop's Image Without Permission

1935 Brooklyn Helen Kane Tour Using Betty Boop

During Helen Kane's 1935 Brooklyn Fox appearances on stage, she used Betty Boop's image for her posters, and her appearance also featured a Betty Boop cartoon.  It was thought that Max Fleischer should have sued her, but he did not, which allowed her to use Betty Boop's image without permission. 

Mistaken for voice of Betty Boop

Voice of betty boop not

When Helen Kane made her big comeback in the 1950s, Betty Boop had been long retired and forgotten. Betty Boop the cartoon character was later rediscovered in the 1980s, 30 years later.

Helen Kane Betty Boop Signed

Kane was mistaken for the voice of Betty Boop, she also used to sign photos of the cartoon character and hand them out to people. She was played by Debbie Reynolds in the 1950 MGM musical Three Little Words, where she dubbed Debbie's singing voice. Kane recorded 22 songs between 1928 and 1930.

Helen Kane signs a photograph of Betty Boop

After 1930 and up to 1951, she recorded four sides for Columbia Records in addition to the "Three Little Words" soundtrack single recording of "I Wanna Be Loved by You". In 1954, MGM records issued the last Helen Kane recordings as a 45-rpm Ep X1164 called "The Boop-Boop-A-Doop Girl!", orchestra directed by Leroy Holmes, and the songs are "When My Sugar Walks Down the Street", "When I Get You Alone Tonight, Do Something" (from Nothing But the Truth) and "That's My Weakness Now".

Universal Studios

Helen Kane's music was often used in Betty Boop's store as seen on the Betty Boop Biography, most promptly her recording of "I Wanna Be Loved By You" which is often used in parade events, there was even a remix version of the Three Little Words song. During the 90s Universal Studios decided to give Betty Boop her own official theme songs for The Betty Boop Store, and hired Sandy Fox a high-pitched actress who had been hired by Universal Studios Hollywood to portray Betty Boop in person. Sandy used to imitate Helen Kane in a 1920s jazz band entitled The Coconut Manor Orchestra and would often open for legendary musicians, including Cab Calloway, Pete Fountain, Ray Charles and Dizzy Gillespie. She recorded several Helen Kane songs, including several renditions of "I Wanna Be Loved By You" one merged with Betty Boop's original official theme song "Don't Take My Boop-Oop-A-Doop-Away".

Helen Kane and Betty Boop Song Comparison

In the early 30s, it was quite common for many performers to use the same songs. Although these were deliberate. The 1980s song "I Wanna Be Loved By You" featured in The Romance of Betty Boop was more influenced by the iconic Marilyn Monroe, but originated with Kane in 1928 and was her signature song. Today, "I Wanna Be Loved By You" is Betty Boop's signature song even though Betty's original theme song, which was especially written for the character by Sammy Timberg, is "Don't Take My Boop-Oop-A-Doop Away".

"I Have To Have You"

(Helen Kane: Film Pointed Heels/Victor Records) (Betty Boop: Dizzy Dishes, Fleischer Studios/Paramount-Publix Corporation)

"Do Something"

(Helen Kane: Film Nothing But The Truth/Victor Records) (Betty Boop: Boop-Oop-a-Doop,Fleischer Studios/Paramount-Publix Corporation)

"Dangerous Nan McGrew"

(Helen Kane: Film Dangerous Nan McGrew) (Betty Boop: The Bum Bandit, Fleischer Studios/Paramount-Publix Corporation)

"That's My Weakness Now"

(Helen Kane: Victor Records) (Betty Boop: Stopping the Show, Fleischer Studios/Paramount-Publix Corporation)

"I Wanna Be Loved By You"

(Helen Kane: Victor Records) (Betty Boop: The Romance of Betty Boop, CBS)


  • Kane's original scat lyrics were "Poop Poop Padoop", but everyone including news reporters misunderstood, so she changed her lyrics from "Poop" to "Boop". Poop can clearly be heard in many of her original film appearances. 
  • Kane wanted to show the judge that the defendants had made a studied imitation of her style, eye movements and general mannerisms, and how Betty Boop had simulated her voice and style, but she failed due to lack of evidence and the recording of Baby Esther uttering the scat lyrics. However, everyone knew that Betty was a caricature of Kane, including animator Grim Natwick.
  • Since Kane was very popular in 1928-1931, she had many impersonators, including Annette Hanshaw, who often mimicked her on a few anonymous songs. Kate Wright, who later provided the voice for Betty Boop in a few cartoons, also imitated Kane as The Mystery Girl in 1929 for Columbia Records.
  • Kane also allowed for her impersonation by holding look and sound-alike contests, held by herself & Paramount Publix. Mae Questel won first prize in one of the contests and was given a signed autograph which stated "To another Kane", which allowed the use to impersonate her. It has also been attested that Kate Wright, Little Ann Little, Margie Hines and Bonnie Poe also entered one of the contests held by Kane and Paramount.
  • Kane wanted Betty Boop stopped by injunction.
  • Kane's popularity had decreased by 1933. She claimed other people (meaning Helen Kane impersonators) were stealing all the jobs that would have originally have gone to her. By 1934-1935 Kane was performing back on stage, lost much weight and retired from showbusiness for a period, and even refused to utter any more "baby talk" after losing her lawsuit.
  • Kane made a comeback in MGM's Three Little Words as herself, embodied by Debbie Reynolds while dubbing over the singing voice to her 1920s hit "I Wanna Be Loved By You".
  • When Helen Kane died in 1966, she was confused in the newspapers for being the original voice of Betty Boop.
  • Helen Kane was also known as "Helen Sugar Kane". In the 1950 film Some Like It Hot, Marilyn Monroe plays a character that was influenced by Kane, called "Sugar Kane"; there, Monroe performs Kane's hit "I Wanna Be Loved By You" with the latter's actual original scat lyrics, which were "Poop".
  • In the 1980s, Betty Boop made a big comeback. Kane was forgotten to time, but then Cyndi Lauper brought her back and was also influenced by Kane's 1929 hit "He's So Unusual" and used it for her album "She's So Unusual".
  • When Betty Boop made her 1980s comeback, her signature song and quote became "I Wanna Be Loved By You".

External Links

See Also

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